What a revelation this production of Mack and Mabel was. Having previously seen the show three times I was of the opinion that apart from the wonderful and popular musical score there was not a decent enough plot to keep an audience attentive for two-and-a-half hours.

With one of David Kirk’s finest productions yet, a strong cast and the most fabulous 14-piece orchestra, Tuesday’s first night audience was given a performance that had everything.

The story of Mack Sennett, the Hollywood silent movie director, and his love for Mabel is not an easy one to put across but with David’s direction, fine acting and the use of an informative and interesting film screen the story came through with depth and feeling.

Glitzy and sparkling choreography by Rachel McGuire impressed, especially in Tap Your Troubles Away with Lottie and the girls, a delightful Anna Clarke as Lottie.

The main responsibility on stage falls on the shoulders of the two leading players and what a wonderful pair the society have in Paul Chewins as Mack and Samantha Ball as Mabel.

Paul, taking over the part late in rehearsals, gave a sincere and wonderfully strong performance. His narratives were excellent and with a singing voice to match.

The songs Movies Were Movies and the lovely I Won’t Send Roses were highlights.

Samantha Ball gave one of her finest performances as the lovelorn, ill-treated Mabel. The part is made for her and she savours every moment. Her voice has gained maturity and she sings with feeling. These two performers are outstanding.

Adam Gregory as Fattie Arbuckle is amusing and there is strong support from Chris Bentley, David Elliott and Nick Green.

There is a wonderful backing chorus and fine singing all round.

Excellent costumes, lighting and sound complete the production.

When a show is put in front of an audience the company is left in the hands of one person and that is the musical director.

John Webb is back as MD with the Yeadon Society after a gap of 21 years and what a fantastic orchestra he has put together. His expertise such an advantage for players on stage.

The popular overture was a joy and throughout the show the playing and pace was uplifting for the company and the audience alike.

A glorious sounding orchestra together with this most excellent production team gave us all an exceptional evening of entertainment.