MURDER, Margaret and Me by Philip Meeks is a gentle mystery; a neat conceit that plays with detective work, clues and secrets deeply hidden. The scene is set from the opening music, which may take the audience back to cosy Sunday evenings in front of the TV with a favourite detective. This foreshadows a pleasurable time with one of our best loved detectives. This turns out to be appropriate, as the play deals with a fictionalised meeting between two real, famous women.

Mystery writer Agatha Christie takes the role of detective, pursuing the secrets of much-loved actor Margaret Rutherford, who in turn is preparing to take on the role of Christie’s Miss Marple. The pair in turn are joined, and cajoled, by a mysterious character called The Spinster, who acts as inquisitor, conscience and confidant. Although this is an imagined situation the script is peppered with facts and ‘industry’ gossip so although while an imagined relationship it is wholly believable.

There’s plenty of humour to complement the mystery, ranging from wryly aware to laugh-out-loud funny. This combines with gentle directorial touches and a general lightness of spirit to leave you feeling uplifted as well as entertained.

The set is a riddle in itself. It’s the backdrop of a 1960s film set, partially hidden, and instantly piques the curiosity. It’s effective, atmospheric and apt. The intricate lighting adds to this effect, subtly mirroring the changing emotions of the story. Point-perfect costumes bring out the elegance and nostalgia of the 60s setting.

Warmly and lovingly directed by Julia O’Keeffe this beautiful collaborative vision with assistant director Liz Hall respectfully lets these well-known characters come into their own without relying on cliché. Geraldine Woodhouse is commanding as Christie, delivering her piercing humour with expert timing and slowly revealing the warm woman beneath. Rutherford is played by Rachel Vernelle, a palpable fragility beneath her jolly film star persona. Both manage to avoid caricature in favour of something more rounded and believable.

The counterpoint to the two very private leads is the open and honest Spinster, played endearingly by Jamesine Cundell Walker. She takes the audience by the (metaphorical) hand and draws them into the story, while punctuating the action with humour and insight.

It’s a thrilling production, building pleasingly to the “whodunit” climax; like a good thriller, it keeps you guessing until the end. At which point you’ll want to run home, throw a log on the fire, and dig out your favourite Agatha Christie book.

Murder, Margaret and Me is at Ilkley Playhouse from November 1 to 11. Tickets are available at www.ilkleyplayhouse.co.uk or from 01943 609 539.

by Claire Emmott